1 00:02:04,330 --> 00:02:11,210 I'm hoping tonight you'll go, go to the right window, scatter 2 00:02:11,210 --> 00:02:14,990 your light, say I'm all right, please do. 3 00:02:17,390 --> 00:02:21,810 Tell her that I'm blue and lonely, 4 00:02:23,290 --> 00:02:26,310 dreamy Caroline. 5 00:02:33,580 --> 00:02:34,580 What could that be? 6 00:02:34,800 --> 00:02:37,140 I don't know. It's almost 9 o 'clock. 7 00:02:37,940 --> 00:02:40,660 I guess I'd better go answer it. 8 00:02:41,240 --> 00:02:42,240 Oh, 9 00:02:43,960 --> 00:02:46,760 no. It's my cousin. 10 00:02:47,200 --> 00:02:48,200 It's Diana. 11 00:02:50,100 --> 00:02:52,640 Oh, thank goodness you're home. We have to talk. 12 00:02:53,180 --> 00:02:55,920 All right. What would you like to talk about? 13 00:02:56,900 --> 00:03:01,200 So, Diana, what brings you over here at 9 o 'clock at night? 14 00:03:01,740 --> 00:03:02,940 Ben. Ben. 15 00:03:03,820 --> 00:03:05,180 Jack left me for another woman. 16 00:03:05,620 --> 00:03:07,840 Jack left me for another woman. 17 00:03:08,240 --> 00:03:09,240 Diana, quit. 18 00:03:09,900 --> 00:03:12,420 Ben. Here, sit. Sit down. 19 00:03:12,640 --> 00:03:13,640 Come on. Sit down. 20 00:03:14,080 --> 00:03:16,520 Now, when did this happen? 21 00:03:17,060 --> 00:03:20,860 Two weeks ago. I came home from the hairdresser's and he was gone. 22 00:03:21,100 --> 00:03:23,340 All his things were gone. See what happened to him? 23 00:03:24,580 --> 00:03:26,180 There, there. 24 00:03:27,140 --> 00:03:32,420 Ben, I'd love to stay and chat with you folks, but... 25 00:03:32,760 --> 00:03:39,620 It's getting on toward my bedtime, so... But like I said, I love chat. Go! Just 26 00:03:39,620 --> 00:03:40,620 go! 27 00:03:42,460 --> 00:03:43,580 There, there now. 28 00:03:45,240 --> 00:03:47,920 What makes you think it's another woman? 29 00:03:48,140 --> 00:03:52,580 Because he left a note saying he was going to start over with Lisa and that 30 00:03:52,580 --> 00:03:53,980 attorneys would be in touch. 31 00:03:57,140 --> 00:03:58,140 Who's Lisa? 32 00:03:58,420 --> 00:04:03,020 Some would -be artist that he met at this... Gallery, you always patronize. I 33 00:04:03,020 --> 00:04:06,480 met her once. Talk about space cadet. And young. 34 00:04:06,720 --> 00:04:11,540 She could be doing clerical ads. Look, I know he's rich, but I could understand 35 00:04:11,540 --> 00:04:15,600 an affair with a Hollywood starlet or a professional tennis player, but some 36 00:04:15,600 --> 00:04:16,640 witless bimbo? 37 00:04:16,940 --> 00:04:18,600 He must be out of his mind. 38 00:04:18,899 --> 00:04:23,560 Well, maybe it's just temporary. I mean, after all, you were having problems. 39 00:04:24,860 --> 00:04:26,340 No, we weren't. 40 00:04:26,980 --> 00:04:30,600 Diana, I'm the last person you can lie to. 41 00:04:31,100 --> 00:04:32,720 I've known you since you were born. 42 00:04:33,100 --> 00:04:37,580 The first time I ever laid eyes on you, you were laying there, screaming your 43 00:04:37,580 --> 00:04:40,100 head off, waving your fists in the air. 44 00:04:40,340 --> 00:04:45,500 Your poor, beloved, sainted mother, God rest her soul, said that all babies do 45 00:04:45,500 --> 00:04:46,860 that, but you never stopped. 46 00:04:47,520 --> 00:04:51,560 What's up with you, Stuart? We were married for 18 years, for God's sake. 47 00:04:51,560 --> 00:04:56,080 maybe he got tired of it. So he leaves me for some brain -dead finger painter? 48 00:04:57,300 --> 00:05:00,660 Diana, you cut the face the... 49 00:05:05,000 --> 00:05:06,000 was my temper. 50 00:05:06,040 --> 00:05:09,080 Maybe it wasn't. Oh, I don't know. All I know is I want him back. 51 00:05:09,520 --> 00:05:13,820 Did you tell him that? I don't know where he is. His attorneys do, but he 52 00:05:13,820 --> 00:05:16,500 them he'd fire them if they told me. And his accountants, too. 53 00:05:16,860 --> 00:05:17,980 How about his friends? 54 00:05:18,440 --> 00:05:22,980 Nobody's seen him. Apparently, the only person he socializes with now is Lisa. 55 00:05:23,480 --> 00:05:25,500 Oh, you've got to help me. 56 00:05:25,740 --> 00:05:27,040 Oh, no. No, Diana. 57 00:05:27,320 --> 00:05:30,820 Please, tell him I'm sorry. Tell him I'll change. Tell him things will be 58 00:05:30,820 --> 00:05:32,540 different. Tell him he's got to talk to me. 59 00:05:32,880 --> 00:05:36,140 You say he met this Lisa at an art gallery? 60 00:05:36,440 --> 00:05:40,780 Yeah, the Westlake Art Gallery, 9th and Pine. She works there. 61 00:05:41,180 --> 00:05:43,560 Her full name is Lisa Sullivan. 62 00:05:43,940 --> 00:05:48,440 Yeah. Well, you go in there and you tell them... No, I... They won't talk to me. 63 00:05:49,180 --> 00:05:50,180 Diana. 64 00:05:51,520 --> 00:05:52,840 Uh, Diana. 65 00:05:53,740 --> 00:05:58,880 I... I don't want to get involved in your personal affairs. 66 00:05:59,240 --> 00:06:00,240 Oh, Ben. 67 00:06:00,260 --> 00:06:01,360 Please, Ben. 68 00:06:04,590 --> 00:06:07,350 No, I'm not exactly your favorite cousin, but my mother was. 69 00:06:07,970 --> 00:06:09,630 For her sake, Ben. 70 00:06:10,250 --> 00:06:12,530 Please. Please, please, please. 71 00:06:13,730 --> 00:06:17,850 Oh, Diana. I can't. 72 00:06:19,410 --> 00:06:26,210 I'll do what I 73 00:06:26,210 --> 00:06:27,910 can. Oh, thank you. 74 00:06:29,010 --> 00:06:33,030 Thank you. Oh, thank you, Ben, dear. 75 00:06:49,330 --> 00:06:50,910 Enjoy. Thank you. We will. 76 00:06:51,390 --> 00:06:52,390 Boy. 77 00:06:52,650 --> 00:06:53,650 Joey. 78 00:06:54,010 --> 00:06:55,010 Joey. 79 00:06:55,190 --> 00:06:58,910 Oh, my gosh. Thank you. 80 00:06:59,150 --> 00:07:02,130 You're welcome. You should probably get it out of the flight path. Yeah, well, 81 00:07:02,230 --> 00:07:05,010 you know, I think they ought to forget about dogs and start a leash loft for 82 00:07:05,010 --> 00:07:06,010 kids. Yeah. 83 00:07:06,730 --> 00:07:07,730 Oh, 84 00:07:08,390 --> 00:07:11,470 can I help you find something? Well, actually, I'm looking for someone. 85 00:07:11,950 --> 00:07:12,950 Lisa Sullivan. 86 00:07:13,130 --> 00:07:14,250 Somebody said she works here. 87 00:07:14,470 --> 00:07:15,630 Well, she used to work here. 88 00:07:16,430 --> 00:07:17,790 I took her place when she quit. 89 00:07:19,840 --> 00:07:21,740 Do you have a forwarding address for her? 90 00:07:23,140 --> 00:07:25,020 Why do you want to find Lisa so bad? 91 00:07:25,760 --> 00:07:29,620 Actually, actually, long story. My wife, her name is Lisa Sullivan, too. 92 00:07:29,960 --> 00:07:34,180 And earlier this year, we got this huge refund on our state income tax. 93 00:07:34,440 --> 00:07:37,380 The only thing is we just moved here. We didn't pay any state income tax last 94 00:07:37,380 --> 00:07:40,980 year. So we keep trying to tell them that they got the wrong Lisa Sullivan on 95 00:07:40,980 --> 00:07:43,640 their computer, but every time we send them the check, they just keep handing 96 00:07:43,640 --> 00:07:46,970 right back to us. Yeah, well, you know, I haven't met a computer yet that can 97 00:07:46,970 --> 00:07:47,949 handle rejection. 98 00:07:47,950 --> 00:07:50,950 Right, exactly. So the other night we were at this party and we heard that 99 00:07:50,950 --> 00:07:55,510 Sullivan worked here, so here I am trying to be a good guy. 100 00:07:55,950 --> 00:07:58,570 Well, what do you know? An honest man. Come with me. 101 00:08:00,670 --> 00:08:02,830 Boy, I tell you, Lisa's going to love you for this. 102 00:08:04,630 --> 00:08:05,630 Here it is. 103 00:08:07,250 --> 00:08:10,390 1242 South Barrington. You know where that is? 104 00:08:10,870 --> 00:08:12,050 Yeah. Okay. 105 00:08:15,729 --> 00:08:18,010 Oh, great. Thank you. I really appreciate this. 106 00:08:18,370 --> 00:08:19,370 Pleasure. Right. 107 00:08:19,730 --> 00:08:22,330 Do you know what she looks like? 108 00:08:23,210 --> 00:08:26,150 Well, yeah. You know, I think I have a picture right here. 109 00:08:28,830 --> 00:08:29,830 Yeah. 110 00:08:32,270 --> 00:08:35,409 Now, this picture was taken at the Lipscomb opening, which was about a year 111 00:08:35,429 --> 00:08:36,429 so it's pretty recent. 112 00:08:37,169 --> 00:08:38,830 And that is Lisa right there. 113 00:08:50,580 --> 00:08:53,180 Yes? Hi, Lisa. I'm looking for Jack Huntington. 114 00:08:53,740 --> 00:08:54,699 Wrong address. 115 00:08:54,700 --> 00:08:55,700 Wait, wait. 116 00:08:55,820 --> 00:08:59,880 My name is Conrad McMasters. I work for Ben Matlock. I just want to talk to him. 117 00:09:00,060 --> 00:09:00,939 Go away. 118 00:09:00,940 --> 00:09:02,100 It's okay, Lisa. Let him in. 119 00:09:04,200 --> 00:09:05,200 Thank you. 120 00:09:05,780 --> 00:09:06,780 Conrad? 121 00:09:07,000 --> 00:09:08,600 Jack, it's good to see you again. 122 00:09:09,560 --> 00:09:11,200 Lisa Sullivan, Conrad McMasters. 123 00:09:11,580 --> 00:09:12,580 Now, what's this about? 124 00:09:12,940 --> 00:09:16,480 Well, Ben had me track you down. Apparently, your wife's pretty anxious 125 00:09:16,480 --> 00:09:17,480 to you. 126 00:09:18,020 --> 00:09:19,480 Diana! Don't walk away! 127 00:09:33,969 --> 00:09:38,130 You're a bum. 128 00:09:38,490 --> 00:09:40,630 A bum with a bimbo. Get out. 129 00:09:41,130 --> 00:09:43,690 If you come back, so help me, I'll have you thrown in jail. 130 00:09:43,930 --> 00:09:45,170 I'd like to see that. 131 00:09:45,550 --> 00:09:47,590 I'd like to see you try that, Mr. 132 00:09:48,050 --> 00:09:49,150 Young at heart. 133 00:09:58,280 --> 00:10:05,140 jack your wife needs serious help you think i don't know that 134 00:10:27,180 --> 00:10:28,180 Oh, Jack. 135 00:10:28,560 --> 00:10:32,280 I was just... You what? 136 00:10:32,600 --> 00:10:33,600 Ben? 137 00:10:34,000 --> 00:10:35,860 They just got here. 138 00:10:36,240 --> 00:10:39,200 Oh, I can't tell you how sorry I am. Yes. 139 00:10:40,180 --> 00:10:41,860 Yes, sure, I'll be there. 140 00:10:42,340 --> 00:10:44,220 Okay, Diana, you used me. 141 00:10:44,880 --> 00:10:48,340 Look, I was afraid that even if you found him, he still wouldn't talk to me. 142 00:10:48,620 --> 00:10:51,340 Well, who could blame him? You just went after him with a gun. 143 00:10:52,060 --> 00:10:53,520 It wasn't loaded. 144 00:10:53,720 --> 00:10:55,880 For God's sake, do you think I'm crazy? 145 00:11:19,760 --> 00:11:23,080 I don't want... 146 00:11:44,520 --> 00:11:45,520 How are you? Good to see you. 147 00:11:45,880 --> 00:11:52,060 What kind of place is this? 148 00:11:52,720 --> 00:11:55,260 It's an old -fashioned Greenwich Village -type coffee house. 149 00:11:55,680 --> 00:11:56,980 Big hangout for artists. 150 00:11:57,700 --> 00:11:58,880 Lisa turned me on to it. 151 00:12:00,520 --> 00:12:01,520 What do you have? 152 00:12:03,820 --> 00:12:04,920 Just bring one of these. 153 00:12:06,900 --> 00:12:10,460 Lisa wanted to come along, but she scored some killing time over at the 154 00:12:10,740 --> 00:12:13,700 So she decided to spend the afternoon throwing pots. 155 00:12:14,320 --> 00:12:16,560 Well, that's good. That's good. Throwing boxes is good. 156 00:12:18,360 --> 00:12:20,040 What's the deal with your hair? 157 00:12:22,200 --> 00:12:23,200 Letting it grow. 158 00:12:24,060 --> 00:12:25,060 Lisa's idea. 159 00:12:25,260 --> 00:12:27,500 Says I should flaunt it while I've still got it. 160 00:12:29,140 --> 00:12:31,840 She's changed my life, Ben. 161 00:12:32,740 --> 00:12:34,120 Yeah, I see that. 162 00:12:34,600 --> 00:12:39,260 You know, she's the Beatrice to my Dante. My guide through a universe I 163 00:12:39,260 --> 00:12:40,260 knew existed. 164 00:12:41,320 --> 00:12:44,820 Before I met her, I thought art was just something you invested money in. 165 00:12:45,840 --> 00:12:49,260 But I realize now it's an investment of the soul. Here you go. 166 00:12:50,820 --> 00:12:52,100 That's double mocha. 167 00:12:52,600 --> 00:12:53,600 Lisa's favorite. 168 00:12:58,420 --> 00:12:59,940 Boy, that's strong. 169 00:13:01,300 --> 00:13:07,540 Listen, I can't stay. I just stopped by to tell you how sorry I am. 170 00:13:09,610 --> 00:13:11,470 Well, we both know Diana's a little nut. 171 00:13:12,010 --> 00:13:14,590 I'm going to put a double lock on the door and the bolt. 172 00:13:15,490 --> 00:13:17,770 Maybe she'll come down or move away or something. 173 00:13:19,350 --> 00:13:22,290 Conrad dropped this picture up at Lisa's place. 174 00:13:23,870 --> 00:13:28,050 You happen to know where he got it? Oh, yeah. Somebody at Westlake Art Gallery 175 00:13:28,050 --> 00:13:31,530 gave it to him so he'd know what Lisa looked like. Well, 176 00:13:32,310 --> 00:13:35,730 if you were close, you can see that this guy here is me. 177 00:13:35,950 --> 00:13:38,690 But when this picture was taken, I wasn't there. 178 00:13:40,330 --> 00:13:41,330 Say again? 179 00:13:42,110 --> 00:13:43,110 Okay. 180 00:13:43,430 --> 00:13:48,670 This guy here, Lisa's with, that Howard Lipscomb, he's an artist. 181 00:13:49,510 --> 00:13:53,450 This picture was taken last year when his work was on exhibit at the gallery. 182 00:13:53,970 --> 00:13:58,230 Howard Lipscomb attended the VIP showing, which opened the exhibit and 183 00:13:58,230 --> 00:13:59,230 back to New York. 184 00:13:59,570 --> 00:14:04,170 And I came the night after, which was the grand opening for the general 185 00:14:04,770 --> 00:14:07,130 And by then, Howard Lipscomb was in New York. 186 00:14:08,110 --> 00:14:09,110 You see? 187 00:14:09,870 --> 00:14:12,010 There's no way we could have been in the same photograph. 188 00:14:13,830 --> 00:14:16,070 You're saying this is a fake? It has to be. 189 00:14:16,310 --> 00:14:19,710 Part of this picture was taken on the first night and part of it was taken on 190 00:14:19,710 --> 00:14:20,810 the second night. It's a composite. 191 00:14:22,670 --> 00:14:24,430 Well, why would anybody want to do that? 192 00:14:25,050 --> 00:14:26,410 That's what I want you to find out. 193 00:14:27,690 --> 00:14:29,450 Me? You owe me, Ben. 194 00:14:30,050 --> 00:14:31,450 What if Diana had shot me? 195 00:14:32,350 --> 00:14:33,630 This is just a picture. 196 00:14:33,830 --> 00:14:36,690 What if you found out somebody faked a picture with you in it, huh? 197 00:14:37,180 --> 00:14:40,460 You'd bust your butt trying to find out what was going on, and you know it. 198 00:14:40,520 --> 00:14:44,180 Well, you could be going to my funeral today, Ben. 199 00:14:44,520 --> 00:14:48,900 Oh, come on, Jack. If it hadn't been for you, I never would have even seen this 200 00:14:48,900 --> 00:14:49,900 damn picture. 201 00:14:57,220 --> 00:15:00,060 No, I'm really interested in... Yeah, that one. 202 00:15:17,819 --> 00:15:18,819 Not interested. 203 00:15:19,300 --> 00:15:20,980 Because his work stinks, that's why. 204 00:15:22,220 --> 00:15:24,240 You want to get him a showing? Try the animal shelter. 205 00:15:25,920 --> 00:15:27,800 Well, you have a nice day, too. 206 00:15:32,680 --> 00:15:33,960 Excuse me? 207 00:15:34,540 --> 00:15:36,660 Are you in charge? 208 00:15:37,820 --> 00:15:40,660 Supposedly. I'm the owner, Carolyn Westlake. Oh, Ben Matlock. 209 00:15:41,100 --> 00:15:44,180 Ben Matlock, the lawyer. What a pleasure. 210 00:15:44,940 --> 00:15:48,240 And welcome to our new exhibit. We're very excited about it. Oh. 211 00:15:49,800 --> 00:15:51,900 Never seen anything quite like this. 212 00:15:52,860 --> 00:15:57,760 Yes, these artists are expressing the dramatic clash between freedom of form 213 00:15:57,760 --> 00:15:59,940 immutability of function. Oh, they are. 214 00:16:00,160 --> 00:16:01,160 Uh -huh. 215 00:16:02,600 --> 00:16:03,640 Oh, you like it? 216 00:16:04,420 --> 00:16:05,780 Oh, yeah. 217 00:16:06,180 --> 00:16:09,060 Yeah. Called War and Peace by Clifford Alexander. 218 00:16:09,820 --> 00:16:10,900 $28 ,000. 219 00:16:11,440 --> 00:16:12,840 You have excellent taste. 220 00:16:14,410 --> 00:16:15,550 28 ,000? 221 00:16:16,390 --> 00:16:23,090 Well, that's a fair... Actually, I don't know where I'd put it. 222 00:16:24,030 --> 00:16:29,350 Could I... I came down here to ask you about this photograph. 223 00:16:30,530 --> 00:16:36,470 I understand it was taken... I understand it was taken 224 00:16:36,470 --> 00:16:41,870 during a showing you had for Howard Lipscomb last year. 225 00:16:42,170 --> 00:16:43,170 That's right. 226 00:16:43,410 --> 00:16:44,670 Who took it, do you remember? 227 00:16:44,890 --> 00:16:47,030 August Steinway. He used to photograph all our events. 228 00:16:47,350 --> 00:16:49,730 Used to? He pulled up stakes and moved to the Greek Isle. 229 00:16:50,470 --> 00:16:51,470 Midlife crisis. 230 00:16:51,610 --> 00:16:52,610 Oh. 231 00:16:53,510 --> 00:16:56,610 Is there a problem? You know Jack Huntington? Very well. 232 00:16:57,110 --> 00:16:58,670 Well, he says that's a fake. 233 00:16:59,090 --> 00:17:00,090 A fake? 234 00:17:00,190 --> 00:17:05,030 Yeah. He says this side of the picture was taken at the VIP show when Howard 235 00:17:05,030 --> 00:17:06,030 Lipscomb was here. 236 00:17:06,369 --> 00:17:11,190 And this side was taken the next night when Howard Lipscomb was not here. 237 00:17:14,599 --> 00:17:18,599 I'm no expert, but this picture sure looks like the real McCoy to me. 238 00:17:21,780 --> 00:17:24,780 Could I... Oh, of course. Thank you. 239 00:17:26,300 --> 00:17:27,300 Westlake Art Gallery. 240 00:17:31,480 --> 00:17:33,380 Lou, I'm going to have to call you right back. 241 00:17:39,820 --> 00:17:40,820 It's me. 242 00:17:41,180 --> 00:17:42,680 We have a major problem. 243 00:17:44,120 --> 00:17:45,480 Somebody got that photograph. 244 00:17:47,080 --> 00:17:48,260 The photograph. 245 00:17:50,620 --> 00:17:53,060 Well, someone already has been asking questions. 246 00:17:53,780 --> 00:17:56,700 That lawyer, Ben Matlock. 247 00:17:57,580 --> 00:18:01,540 I don't care what Carolyn thinks. I know that picture is a fake. I wasn't there 248 00:18:01,540 --> 00:18:02,580 that night. Tell him, sweetheart. 249 00:18:02,820 --> 00:18:04,740 He wasn't there, Mr. Matlock. I remember. 250 00:18:05,000 --> 00:18:07,540 See, to me, Howard Lipscomb is a hero. 251 00:18:07,840 --> 00:18:11,480 I mean, look, his work is bold and brave and intellectually thrilling. 252 00:18:12,170 --> 00:18:15,310 I will never forget how excited I was to finally get to meet him. 253 00:18:16,010 --> 00:18:18,950 And how disappointed I was that Jack couldn't share the experience. 254 00:18:19,550 --> 00:18:21,430 You sure you don't want to have one? 255 00:18:21,670 --> 00:18:24,930 Oh, no. The buzz I got from the other one lasted till four this morning. 256 00:18:26,970 --> 00:18:28,130 So what's your next move? 257 00:18:28,930 --> 00:18:32,650 I don't know, Jack. This is just a picture, and I got a law firm. 258 00:18:32,890 --> 00:18:36,310 It's a fabrication, Ben, and whoever fabricated it had a reason. 259 00:18:37,470 --> 00:18:40,630 Maybe I was matted into that picture in order to cover up something in the 260 00:18:40,630 --> 00:18:44,960 background. Well, you were there that night. Does anything look wrong or out 261 00:18:44,960 --> 00:18:47,080 place in this picture? I mean, besides Jack? 262 00:18:47,680 --> 00:18:48,680 No. 263 00:18:49,500 --> 00:18:50,620 Who are these two fellas? 264 00:18:50,860 --> 00:18:55,480 Well, the big guy, Dick Lerner. He owns the medical supply company. Collects 265 00:18:55,480 --> 00:18:56,660 Pollux. What about this guy? 266 00:18:57,040 --> 00:18:58,580 No. No, him I don't recognize. 267 00:19:02,780 --> 00:19:03,780 Hello, Ben. 268 00:19:06,800 --> 00:19:07,800 Please, sir. 269 00:19:12,620 --> 00:19:13,620 Hello Jack. 270 00:21:34,440 --> 00:21:35,440 Morning. 271 00:21:36,280 --> 00:21:37,280 Good morning. 272 00:21:38,860 --> 00:21:39,860 Get the meaning? 273 00:21:42,640 --> 00:21:46,060 Crazy mixed -up world. 274 00:21:47,660 --> 00:21:48,800 It's called Eggbeater. 275 00:21:51,160 --> 00:21:52,260 How can I help you? 276 00:21:52,480 --> 00:21:55,200 You remember that photograph I brought in here yesterday? 277 00:21:55,860 --> 00:21:57,060 The one from the lipstick? 278 00:21:57,640 --> 00:22:00,140 Yeah. It was stolen last night. 279 00:22:00,920 --> 00:22:01,920 You're kidding. 280 00:22:04,820 --> 00:22:09,660 Somebody broke in my house and took it right off my desk. It's the only thing 281 00:22:09,660 --> 00:22:11,000 stole. That's strange. 282 00:22:11,460 --> 00:22:16,920 The thing is, the only person outside Jack Huntington and Lisa Sullivan who 283 00:22:16,920 --> 00:22:18,500 I had the picture was you. 284 00:22:18,920 --> 00:22:20,580 Are you suggesting that I stole it? 285 00:22:20,960 --> 00:22:25,700 No, I know that I was knocked over by a man last night. I just wonder if you 286 00:22:25,700 --> 00:22:28,280 told anybody about the picture after I left. 287 00:22:28,600 --> 00:22:29,600 No. 288 00:22:30,060 --> 00:22:32,000 Wait, wait, I told Randy. 289 00:22:32,570 --> 00:22:36,990 about it. She gave it away, and I told her not to give anything away again 290 00:22:36,990 --> 00:22:38,030 without checking with me. 291 00:22:40,810 --> 00:22:42,150 Ted, easy. 292 00:22:43,730 --> 00:22:46,390 I'm going to have to keep an eye on these guys. Oh, yeah. 293 00:22:46,810 --> 00:22:47,810 Thank you. 294 00:22:57,150 --> 00:23:00,690 And I'll tell him, as a matter of fact, he's sitting right here. I'll talk to 295 00:23:00,690 --> 00:23:01,690 you later. 296 00:23:02,450 --> 00:23:03,450 Carolyn. 297 00:23:04,410 --> 00:23:07,810 Matlock's been in asking more questions. She's mad and I don't blame her. 298 00:23:08,110 --> 00:23:09,730 Yeah, well, he's shooting blanks. Just relax. 299 00:23:10,050 --> 00:23:12,330 You had to go and steal that photograph. 300 00:23:13,290 --> 00:23:16,790 This is a million -dollar deal we've got on the line here. Don't you know that? 301 00:23:16,970 --> 00:23:18,930 Hey, my neck is on the line here, fat boy. 302 00:23:19,390 --> 00:23:23,230 Look, maybe you can afford to take chances, but I can't. I want you to shut 303 00:23:23,230 --> 00:23:24,230 and get off my back. 304 00:23:24,530 --> 00:23:27,330 What'd you do with the photograph? I burned it. End of problem. 305 00:23:27,970 --> 00:23:28,970 Yeah? 306 00:23:29,110 --> 00:23:30,110 Not necessarily. 307 00:24:00,910 --> 00:24:03,650 I'm looking for the person who used to be Gus Steinway's partner. 308 00:24:04,350 --> 00:24:07,270 Yeah, that's me, Leon Russo. What do you want? 309 00:24:07,470 --> 00:24:10,370 Well, I'm doing this book on Howard Lipscomb. You know the artist? 310 00:24:10,870 --> 00:24:16,090 And I understand that Gus did some pictures of the exhibit that Howard had 311 00:24:16,090 --> 00:24:18,730 the Westlake Gallery. Can we get to the bottom line? I'm kind of busy. Sure. 312 00:24:18,850 --> 00:24:21,930 Well, if any of the negatives are around, I'd like to take a look through 313 00:24:22,030 --> 00:24:23,770 Well, does this look like a library to you? 314 00:24:25,450 --> 00:24:26,450 I'll pay you. 315 00:24:27,090 --> 00:24:30,370 Just to look at them, and if I find something I like, I'll pay you more. 316 00:24:30,370 --> 00:24:31,370 that sound? 317 00:24:32,030 --> 00:24:33,030 Wipe your feet. 318 00:24:43,310 --> 00:24:44,310 There. 319 00:24:49,470 --> 00:24:50,610 Knock yourself out. 320 00:24:51,150 --> 00:24:52,590 Is this stuff in any kind of order? 321 00:24:52,830 --> 00:24:53,830 No. 322 00:24:54,120 --> 00:24:57,740 If you need me, I'll be across the hall in the dark room. Whatever you do, knock 323 00:24:57,740 --> 00:24:59,220 first. Okay? 324 00:25:00,140 --> 00:25:01,140 Gotcha. 325 00:25:02,720 --> 00:25:06,340 That'll be 50 bucks up front and 50 for each negative that you pull. 326 00:25:21,100 --> 00:25:22,100 Mr. Matlock. 327 00:25:22,879 --> 00:25:26,080 Richard T. Lerner at your service, Mr. Matlock. Unless, of course, you've come 328 00:25:26,080 --> 00:25:27,960 to sue me. Oh, no, nothing like that. 329 00:25:28,160 --> 00:25:31,220 Can I get you something to drink? Coffee, juice? No, thank you. 330 00:25:31,460 --> 00:25:32,460 Have a seat. 331 00:25:33,400 --> 00:25:34,400 Well, 332 00:25:34,800 --> 00:25:37,160 you look fit as a fiddle, so I know you're not a customer. 333 00:25:37,420 --> 00:25:38,420 No. 334 00:25:38,900 --> 00:25:42,040 What is it that you sell, Mr. Lerner? 335 00:25:42,560 --> 00:25:43,560 Medical equipment. 336 00:25:43,960 --> 00:25:50,020 Oh, well, you... Well, you must be doing pretty well. I see you collect art. 337 00:25:50,880 --> 00:25:51,880 Well, it looks art. 338 00:25:52,080 --> 00:25:54,800 I'm kind of partial to abstract expressionism, as you see. 339 00:25:55,000 --> 00:26:00,280 Yeah. I hear that you were at a showing that Westlake Galleries had for Howard 340 00:26:00,280 --> 00:26:01,500 Lipscomb last year. 341 00:26:02,220 --> 00:26:04,160 Yes, I like Howard Lipscomb's work. 342 00:26:04,660 --> 00:26:06,360 Actually, there were two showings. 343 00:26:06,980 --> 00:26:11,300 There was one for the VIPs and then one for the public. 344 00:26:12,380 --> 00:26:14,240 Which one did you go to, remember? 345 00:26:14,720 --> 00:26:16,760 Well, the VIP, naturally. 346 00:26:18,670 --> 00:26:20,890 But it was a year ago, as you said. I could be mistaken. 347 00:26:21,130 --> 00:26:24,130 Do you remember whether you met Howard Lipscomb when you were there? 348 00:26:24,710 --> 00:26:27,210 Oh, I've met Howard half a dozen times. 349 00:26:27,850 --> 00:26:29,750 Maybe it was at the opening, maybe not. 350 00:26:30,150 --> 00:26:34,650 Well, again, these are really, really very nice. 351 00:26:35,010 --> 00:26:36,070 Thank you for your time. 352 00:26:37,570 --> 00:26:38,570 Come in again. 353 00:26:38,630 --> 00:26:41,050 I always like it when famous people drop in on me. 354 00:26:41,290 --> 00:26:42,770 Not that they ever really do. 355 00:26:43,170 --> 00:26:44,170 Here. 356 00:26:44,590 --> 00:26:47,970 Would you like a malt ball for the road? Oh, no, I shouldn't. 357 00:26:48,510 --> 00:26:50,730 Neither should I, but I mean, they're sitting right here. 358 00:26:51,050 --> 00:26:52,050 What the hell? 359 00:28:12,840 --> 00:28:13,840 Want a sandwich? 360 00:28:14,160 --> 00:28:15,160 No time. 361 00:28:15,240 --> 00:28:16,680 Ben, I got some big news. 362 00:28:16,980 --> 00:28:20,900 Big news. You'll never guess what it is. Uh, you won the lottery. No, no, no, 363 00:28:21,000 --> 00:28:22,000 no. This is big. 364 00:28:22,300 --> 00:28:24,760 Big, big. I mean, really big. 365 00:28:25,200 --> 00:28:26,740 Um, you're going around the world. 366 00:28:26,940 --> 00:28:32,100 No, no, no, no, no. This involves a person of the opposite sex and a plan 367 00:28:32,100 --> 00:28:32,939 two of us have. 368 00:28:32,940 --> 00:28:34,140 You're getting married. 369 00:28:34,540 --> 00:28:35,540 Who told you? 370 00:28:35,790 --> 00:28:38,950 Well, I think that's wonderful news, Les. 371 00:28:39,310 --> 00:28:43,910 Congratulations. Now, what's the lucky lady's name and how did you meet her? 372 00:28:43,910 --> 00:28:44,910 name is Mildred. 373 00:28:45,190 --> 00:28:48,830 Mildred Novotny. And we met in the produce section of the supermarket. 374 00:28:49,330 --> 00:28:53,150 She was trying to pick out a ripe melon, you know, one of those cassavas. 375 00:28:53,450 --> 00:28:57,390 So she handed me one and asked me if I thought it was ripe. So I gave her the 376 00:28:57,390 --> 00:28:59,070 squeeze and told her I thought it was okay. 377 00:29:01,360 --> 00:29:06,180 Oh, so it only started over a melon, huh? Well, actually, it started before 378 00:29:06,180 --> 00:29:10,860 that. You see, we were both backing up our carts, you know, looking at the 379 00:29:10,860 --> 00:29:11,860 produce. 380 00:29:12,020 --> 00:29:15,460 And the next thing you know, we backed into each other. 381 00:29:16,540 --> 00:29:17,820 Backed right into each other. 382 00:29:18,480 --> 00:29:23,760 And neither one of us moved for, I don't know, it must have been 19 minutes. 383 00:29:24,600 --> 00:29:26,180 Back to back. Back to back. 384 00:29:28,540 --> 00:29:29,900 What is she, a widow? 385 00:29:30,220 --> 00:29:32,960 Yeah. Oh, and she used to be a nurse. 386 00:29:34,380 --> 00:29:40,360 You know, when I was young and used to date, I always felt safe with a nurse. 387 00:29:41,000 --> 00:29:42,000 Well, 388 00:29:42,840 --> 00:29:44,680 they know so much about the body, you know. 389 00:29:47,520 --> 00:29:49,860 Where are you going to go on your honeymoon? 390 00:29:50,180 --> 00:29:53,200 Oh, Mildred wants to go someplace she's never been before. 391 00:29:53,840 --> 00:29:57,880 Oh, someplace romantic like Paris or Mexico. 392 00:29:58,760 --> 00:30:00,040 No, the Mayo Clinic. 393 00:30:02,429 --> 00:30:03,429 The Mayo Clinic? 394 00:30:03,810 --> 00:30:05,810 Well, yeah, I told you she used to be a nurse. 395 00:30:06,350 --> 00:30:09,150 She wants to look around, you know, watch a few operations. 396 00:30:10,430 --> 00:30:11,710 Oh, gosh, I gotta go. 397 00:30:12,030 --> 00:30:13,710 I promised Millard I'd meet her. 398 00:30:13,910 --> 00:30:16,130 At the market? Yeah, help her with her shopping. 399 00:30:17,610 --> 00:30:21,290 You really are a fast mover. 400 00:30:21,610 --> 00:30:25,070 Well, Benj, time waits for no man. 401 00:30:33,070 --> 00:30:34,070 In here. 402 00:30:36,550 --> 00:30:37,550 Tell me your face. 403 00:30:38,130 --> 00:30:40,230 Somebody jumped me at Gus Steinway's studio. 404 00:30:40,550 --> 00:30:41,550 They're after these. 405 00:30:43,190 --> 00:30:46,890 Proof sheet the negatives of the pictures Steinway shot at the two Howard 406 00:30:46,890 --> 00:30:48,890 Lipscomb showings. Somebody jumped you? 407 00:30:49,130 --> 00:30:51,790 Yeah. Well, I got his license number. 408 00:30:52,130 --> 00:30:54,710 Well, they get burglarized. You get assaulted. 409 00:30:55,090 --> 00:30:57,950 Jack's right. Something serious is going on. No kidding. 410 00:31:00,070 --> 00:31:01,150 Lieutenant Brooks, please. 411 00:31:05,840 --> 00:31:07,900 I didn't expect you to handle this personally, Bob. 412 00:31:08,200 --> 00:31:11,220 And when I saw the list of priors on this guy, I couldn't help myself. He's 413 00:31:11,220 --> 00:31:13,740 wearing a ski mask. How are you going to know it's the same fella? 414 00:31:14,020 --> 00:31:15,020 I'll know. 415 00:31:16,200 --> 00:31:19,700 This whole thing started because Jack got a roving eye. 416 00:31:20,840 --> 00:31:25,380 If I was married to Diana, I'd get a roving eye, too. My eye'd fly all over 417 00:31:25,380 --> 00:31:26,380 place. 418 00:31:26,780 --> 00:31:28,460 Open up, Mr. Resnick. It's the police. 419 00:31:45,139 --> 00:31:46,880 Rudnick? It's the guy that jumped me, Ben. 420 00:31:47,920 --> 00:31:49,320 Same clothes, same build. 421 00:31:49,640 --> 00:31:50,640 I know. 422 00:31:50,780 --> 00:31:51,780 How do you know? 423 00:31:53,340 --> 00:31:55,980 You know that third guy in the picture nobody recognized? 424 00:31:57,600 --> 00:31:58,600 That's him. 425 00:32:01,820 --> 00:32:02,820 There's one. 426 00:32:07,630 --> 00:32:08,650 Yeah, there's the other. 427 00:32:09,530 --> 00:32:11,690 There was a lot of pictures that were used to make that composite. 428 00:32:12,610 --> 00:32:13,610 You see? 429 00:32:14,290 --> 00:32:17,230 I wasn't at that opening with Howard Lipscomb, and neither was Lerner. 430 00:32:17,570 --> 00:32:18,670 He lied to you, Ben. 431 00:32:19,750 --> 00:32:21,930 Whatever's going on here, Lerner's in on it. I know it. 432 00:32:22,630 --> 00:32:23,830 Wish we had some proof. 433 00:32:24,410 --> 00:32:27,370 Proof? Somebody steals the picture from you, then tries to steal the negatives, 434 00:32:27,470 --> 00:32:28,470 and then gets murdered. 435 00:32:28,530 --> 00:32:30,090 Now, what more proof do you need? 436 00:32:30,290 --> 00:32:33,510 Well, something's going on, all right, but I'm daggone fine figuring it out. 437 00:32:34,190 --> 00:32:35,530 Somebody better figure out something. 438 00:32:36,720 --> 00:32:38,320 I could wind up with a bullet in my head. 439 00:32:47,880 --> 00:32:52,040 Oh, no. 440 00:32:53,120 --> 00:32:54,620 Jack! Jack! 441 00:32:55,280 --> 00:33:01,320 Jack, we have to talk. There's nothing to say. Oh, no, no, Jack. You don't mean 442 00:33:01,320 --> 00:33:04,780 that. You don't get it. I want a new life. Go home, Diana. Look, you can't 443 00:33:04,780 --> 00:33:06,780 abandon me like some rusted old car. 444 00:33:36,720 --> 00:33:40,200 Hi, Ben. Sorry to barge in on you like this, but I need your help. 445 00:33:40,500 --> 00:33:45,380 Yeah? Yeah, Mildred wants a church wedding, and, well, we're trying to 446 00:33:45,380 --> 00:33:47,040 what kind of music to have. 447 00:33:47,240 --> 00:33:49,860 Now, I suggest an organ playing a medley. 448 00:33:50,080 --> 00:33:52,780 You know, promise me I love you truly. 449 00:33:53,080 --> 00:33:55,620 There'll be a hot time in the old town tonight. 450 00:33:56,200 --> 00:33:58,760 I'd go for a hot time in the old town tonight. 451 00:34:00,380 --> 00:34:05,680 Yeah, but Mildred wants something different. You know, something more 452 00:34:05,940 --> 00:34:07,380 Oh, personal. 453 00:34:08,159 --> 00:34:13,239 Boy, you're really stuck on Mildred, aren't you? 454 00:34:13,520 --> 00:34:18,900 Well... So, something personal. 455 00:34:19,120 --> 00:34:20,120 Personal. 456 00:34:21,040 --> 00:34:27,520 personal, why don't we sing her a duet and dedicate it to her? 457 00:34:28,380 --> 00:34:29,380 You think so? 458 00:34:29,679 --> 00:34:30,679 Oh, yeah. 459 00:34:30,900 --> 00:34:35,260 Well, what could we sing? Didn't you say she spent time in South Carolina? 460 00:34:35,659 --> 00:34:37,460 Yeah, she loved it there. Yeah. 461 00:34:37,800 --> 00:34:40,120 Well, how about Carolina Moon? 462 00:34:41,620 --> 00:34:45,239 Think she'll like it? Oh, she'd love it. I bet she'd cry. 463 00:34:46,239 --> 00:34:49,159 Of course, I don't know. 464 00:34:50,219 --> 00:34:52,679 I don't know. You're so sensitive. 465 00:34:53,580 --> 00:34:55,000 You might cry yourself. 466 00:34:55,380 --> 00:34:56,380 Oh, come on. 467 00:34:57,100 --> 00:34:59,400 Okay. Okay, let's give it a try. 468 00:34:59,660 --> 00:35:00,660 Okay. 469 00:35:01,720 --> 00:35:08,580 Carolina moon Keep 470 00:35:08,580 --> 00:35:15,200 shining Shining on the 471 00:35:15,200 --> 00:35:17,820 one Who waits for me 472 00:35:23,320 --> 00:35:27,820 Carolina moon, I'm pining, 473 00:35:28,060 --> 00:35:31,000 pining for you. 474 00:35:34,140 --> 00:35:35,680 You all right? I'm fine. 475 00:35:35,920 --> 00:35:36,920 I'm fine. 476 00:35:38,180 --> 00:35:39,180 You crying? 477 00:35:39,540 --> 00:35:43,540 No, no, it's my sinuses. I gotta go home and use my nasal spray. 478 00:36:00,300 --> 00:36:06,480 You know, I'll bet you anything that photographer dummied up the picture and 479 00:36:06,480 --> 00:36:09,540 then left for Greece because John Resnick paid him to go. 480 00:36:14,960 --> 00:36:16,360 But where did he get the money? 481 00:36:21,440 --> 00:36:23,180 You think he was blackmailing someone? 482 00:36:30,760 --> 00:36:31,820 She's making me crazy. 483 00:36:39,760 --> 00:36:41,640 You make me crazy, too. 484 00:36:42,800 --> 00:36:43,920 I'm trying to work. 485 00:36:45,980 --> 00:36:46,980 I like it. 486 00:36:47,920 --> 00:36:48,920 It's terrible. 487 00:36:51,460 --> 00:36:52,460 Jack. 488 00:36:53,200 --> 00:36:56,260 You know Randy McGowan, the girl who took my place at the gallery? 489 00:36:56,720 --> 00:36:57,860 She called me today. 490 00:36:58,800 --> 00:37:02,580 And apparently all this fake photograph stuff has gotten Carolyn really ticked 491 00:37:02,580 --> 00:37:03,580 off. 492 00:37:03,800 --> 00:37:05,220 You know how Carolyn is. 493 00:37:06,780 --> 00:37:08,160 She's been giving me a bad rap. 494 00:37:09,480 --> 00:37:10,339 To whom? 495 00:37:10,340 --> 00:37:11,340 To everybody. 496 00:37:12,220 --> 00:37:13,600 Why is she bad mouthing you? 497 00:37:14,920 --> 00:37:16,280 Because I'm what started it all. 498 00:37:17,220 --> 00:37:18,840 At least in her mind I am. 499 00:37:22,680 --> 00:37:23,680 Jack. 500 00:37:24,440 --> 00:37:25,800 Art is my whole life. 501 00:37:27,720 --> 00:37:29,100 People listen to Carolyn. 502 00:37:30,860 --> 00:37:33,240 She's going to ruin my career before I even have one. 503 00:37:36,200 --> 00:37:37,200 No, she's not. 504 00:37:38,420 --> 00:37:39,420 I promise. 505 00:37:41,200 --> 00:37:42,200 Keep painting. 506 00:37:42,560 --> 00:37:44,080 I'll pick up dinner on my way home. 507 00:37:44,560 --> 00:37:46,660 And I hope to hell I don't run into Diana. 508 00:37:47,640 --> 00:37:48,640 Home from where? 509 00:37:48,820 --> 00:37:49,820 The gallery. 510 00:37:49,840 --> 00:37:54,080 I'm going to apologize to Carolyn. I'll tell her from now on if anybody asks her 511 00:37:54,080 --> 00:37:57,140 about this damn photograph, I'll personally punch him in the nose. 512 00:38:00,250 --> 00:38:01,950 How good are your seascapes? 513 00:38:03,290 --> 00:38:06,510 I don't know. I've never tried any. Then pack your paints. 514 00:38:07,210 --> 00:38:08,790 Tomorrow we'll leave for the Caribbean. 515 00:38:27,180 --> 00:38:28,760 Hi, Jack. I'm sorry we just closed. 516 00:38:29,200 --> 00:38:31,780 Carolyn's still here? Yeah, but she's meeting some people in her office. 517 00:38:32,000 --> 00:38:34,760 I'll just keep my head in for a minute, okay? Can't this wait until tomorrow? 518 00:38:35,080 --> 00:38:37,960 Well, we're leaving town, and I've got to clear the air about Lisa, okay? 519 00:38:48,400 --> 00:38:49,740 Jack! Hi, Carolyn. 520 00:38:50,400 --> 00:38:51,420 This will just take a minute. 521 00:38:53,320 --> 00:38:55,080 You, uh, like Andy Warhol? 522 00:38:56,100 --> 00:38:57,100 Not particularly. 523 00:38:57,240 --> 00:39:01,840 Look, it's my fault Ben Matlock's been hassling you about this photograph, not 524 00:39:01,840 --> 00:39:02,840 Lisa's. 525 00:39:02,940 --> 00:39:08,500 I was curious about it and he was doing me a favor. So, if you're upset, I'm 526 00:39:08,500 --> 00:39:10,020 sorry. I'm dropping the whole matter. 527 00:39:10,380 --> 00:39:14,060 And if you're carrying a grudge, I'm your target, not Lisa. 528 00:39:15,660 --> 00:39:16,660 Okay? 529 00:39:16,860 --> 00:39:19,160 If you say it's over, it's over. 530 00:39:19,500 --> 00:39:20,600 I don't hold grudges. 531 00:39:21,020 --> 00:39:22,020 I don't have time. 532 00:39:23,920 --> 00:39:24,920 Thanks, Karen. 533 00:39:26,549 --> 00:39:27,549 Sorry to interrupt. 534 00:39:28,030 --> 00:39:29,030 Bye. 535 00:39:35,390 --> 00:39:37,130 I can't stand his work. 536 00:39:37,630 --> 00:39:38,630 Who? 537 00:39:39,010 --> 00:39:40,010 Warhol. 538 00:39:40,450 --> 00:39:43,030 Well, this is no Warhol. The one they're looking at in there. 539 00:39:43,910 --> 00:39:44,910 Night, Wendy. 540 00:39:45,870 --> 00:39:46,870 Night, Jack. 541 00:40:03,340 --> 00:40:06,160 I just uncovered some information about John Resnick I thought you'd be 542 00:40:06,160 --> 00:40:07,820 interested in. You in the mood to hear it? 543 00:40:09,060 --> 00:40:10,880 No. Tell me anyway. 544 00:40:18,080 --> 00:40:20,080 It's so jittery I can't stand still. 545 00:40:21,580 --> 00:40:23,640 Time for my run anyway. Maybe that'll help. 546 00:40:26,380 --> 00:40:27,700 I'll be back in 40 minutes. 547 00:40:27,920 --> 00:40:28,920 Oh, I don't know what to pack. 548 00:40:37,130 --> 00:40:38,130 You're packed. 549 00:40:44,730 --> 00:40:49,050 His name was Hugo Wyckoff, local artist, a lithographer. 550 00:40:49,530 --> 00:40:51,150 Died about a year ago in a hit and run. 551 00:40:51,950 --> 00:40:53,810 What's he got to do with John Resnick? 552 00:40:54,030 --> 00:40:58,870 Well, when the police questioned Wyckoff's widow, she said that he told 553 00:40:58,870 --> 00:41:02,510 was afraid for his life. Now, he didn't say why he was afraid, but he did say of 554 00:41:02,510 --> 00:41:04,130 whom. John Resnick. 555 00:41:04,530 --> 00:41:06,050 But as it turns out... 556 00:41:06,270 --> 00:41:09,270 John Resnick had an alibi for the night Hugo Wyckoff was killed. 557 00:41:09,770 --> 00:41:12,850 He was at the opening of an art exhibit at the Westlake Gallery. 558 00:41:13,530 --> 00:41:15,950 The Howard Lipscomb exhibit? 559 00:41:16,390 --> 00:41:21,050 And when the police checked out the gallery, they were shown a photograph 560 00:41:21,050 --> 00:41:25,530 proved John Resnick was there at the time of the hit and run. So Resnick was 561 00:41:25,530 --> 00:41:26,530 dropped as a suspect. 562 00:41:27,850 --> 00:41:31,950 They dumbed up that photograph to give John Resnick an alibi? 563 00:41:32,430 --> 00:41:34,850 Probably. Oh, and one more thing. 564 00:41:35,710 --> 00:41:40,510 John Resnick's two best friends were Carolyn Westlake and Dick Lerner. 565 00:41:41,030 --> 00:41:45,250 On the night before he died, he made a series of phone calls after 1 a .m. 566 00:41:45,610 --> 00:41:50,050 Two to Miss Westlake, one to Dick Lerner, and two to somebody named Carl 567 00:41:50,050 --> 00:41:54,350 Shepley. So all of them are in on the photograph fraud business. 568 00:41:55,090 --> 00:41:59,910 They hired John Resnick to kill that artist and then killed John Resnick 569 00:41:59,910 --> 00:42:00,910 he knew too much. 570 00:42:01,310 --> 00:42:03,950 Well, knew too much about what? I don't know. 571 00:42:04,350 --> 00:42:06,090 But I tell you what I'm not going to do. 572 00:42:06,390 --> 00:42:07,348 What's that? 573 00:42:07,350 --> 00:42:10,290 Tell Jack Huntington. Put him right over the edge. 574 00:43:27,420 --> 00:43:28,840 Excuse me, Ms. Sullivan. 575 00:43:29,120 --> 00:43:31,320 I'm very sorry. I know this is painful. 576 00:43:31,760 --> 00:43:35,180 But if you could answer some questions, it might help us to find the person who 577 00:43:35,180 --> 00:43:35,899 did this. 578 00:43:35,900 --> 00:43:36,900 I'll try. 579 00:43:37,200 --> 00:43:41,440 According to the skid marks and an eyewitness, this wasn't just an 580 00:43:41,780 --> 00:43:43,540 Somebody meant to kill him. 581 00:43:43,940 --> 00:43:45,740 Did he always run at this time? 582 00:43:46,080 --> 00:43:51,520 Yes. Well... Last night, did he make any calls or maybe had an argument with 583 00:43:51,520 --> 00:43:52,520 somebody over the phone? 584 00:43:52,680 --> 00:43:53,680 No. 585 00:43:54,360 --> 00:43:56,520 He did go out for about an hour. 586 00:43:56,780 --> 00:43:57,780 Do you know where he went? 587 00:43:58,420 --> 00:43:59,620 To the art gallery. 588 00:44:00,280 --> 00:44:04,100 To talk to Carolyn Westlake. Lieutenant, excuse me for just a minute. 589 00:44:04,340 --> 00:44:05,340 We have a make on that car. 590 00:44:05,560 --> 00:44:12,260 Why did Jack want to 591 00:44:12,260 --> 00:44:14,160 talk to Carolyn Westlake? 592 00:44:14,860 --> 00:44:18,580 So you can apologize for all the trouble that picture and him had caused. 593 00:44:20,740 --> 00:44:22,060 Okay, I've got to get going. 594 00:44:22,760 --> 00:44:24,120 I'll be in touch with Sullivan. 595 00:44:24,520 --> 00:44:25,519 You got something? 596 00:44:25,520 --> 00:44:29,680 Yeah, the eyewitness says that the car that hit Jack was a blue Lincoln Mark 7. 597 00:44:31,280 --> 00:44:32,280 Jack's dead. 598 00:44:32,700 --> 00:44:34,080 I can't believe it. 599 00:44:34,680 --> 00:44:35,680 Jack's dead. 600 00:44:37,380 --> 00:44:38,940 Why do you want to see my car? 601 00:44:40,060 --> 00:44:42,360 When did you last drive it? 602 00:44:42,680 --> 00:44:43,680 Yesterday. 603 00:44:44,400 --> 00:44:46,080 You didn't drive it this morning? 604 00:44:46,320 --> 00:44:47,660 I just told you, no. 605 00:44:55,600 --> 00:44:57,340 Oh, my God. 606 00:44:57,820 --> 00:44:59,200 Well, did it look like this yesterday? 607 00:44:59,500 --> 00:45:01,040 Well, what happened to it? 608 00:45:02,360 --> 00:45:04,300 Afraid I'm going to have to place you under arrest. 609 00:45:09,540 --> 00:45:12,360 I can't believe it. My beloved Jack, Dad. 610 00:45:13,070 --> 00:45:14,009 I'm shocked. 611 00:45:14,010 --> 00:45:16,390 Shocked? How could anyone think I'd kill him? 612 00:45:16,590 --> 00:45:18,750 Maybe because you assaulted him twice. 613 00:45:19,070 --> 00:45:23,350 Once with a gun. But I told you the gun wasn't loaded. Once in front of a police 614 00:45:23,350 --> 00:45:27,690 lieutenant. I wasn't trying to kill him. Diana, when people see a woman waving a 615 00:45:27,690 --> 00:45:30,830 gun around and making threats, they tend to take that seriously. 616 00:45:31,070 --> 00:45:32,850 Unless she says, just kidding. 617 00:45:33,070 --> 00:45:37,370 Or she fires it and a little sign comes out and says, bang. People tend to 618 00:45:37,370 --> 00:45:38,810 believe what they see and hear. 619 00:45:39,370 --> 00:45:43,810 But anyone who knows... Knows that your life has been one long temper tantrum. 620 00:45:44,330 --> 00:45:46,090 Where the hell do you think you're going? Home. 621 00:45:46,570 --> 00:45:47,990 Are you going to defend me? No. 622 00:45:48,230 --> 00:45:49,290 You've got to defend me. 623 00:45:49,730 --> 00:45:52,050 Give me one good reason why. 624 00:45:52,530 --> 00:45:53,428 I'm innocent. 625 00:45:53,430 --> 00:45:55,750 Then any lawyer can handle it and you don't need me. 626 00:45:56,630 --> 00:45:57,690 Ben. What? 627 00:45:59,050 --> 00:46:01,990 If my mother was asking, would that be your answer? 628 00:46:02,970 --> 00:46:06,270 Ben, at the end I took good care of her and you know it. 629 00:46:12,430 --> 00:46:13,169 And this woman? 630 00:46:13,170 --> 00:46:14,170 Yeah. 631 00:46:14,850 --> 00:46:15,850 She's a nutcase. 632 00:46:16,110 --> 00:46:17,610 I know it, but she's family. 633 00:46:18,150 --> 00:46:19,150 Well, how about the gun? 634 00:46:19,850 --> 00:46:20,828 Wasn't loaded. 635 00:46:20,830 --> 00:46:24,990 Yeah. What about the little incident outside the house? Well, she just beat 636 00:46:24,990 --> 00:46:25,990 up with her purse. 637 00:46:26,630 --> 00:46:28,630 You must be as nutty as she is. 638 00:46:29,150 --> 00:46:33,010 Diana's not the kind of woman that kills men. She just makes them wish they were 639 00:46:33,010 --> 00:46:36,630 dead. Right. So you're going to defend her so she can do the same thing to you.